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Installation view of Jagdeep Raina: Chase, displaying various paintings installed on the walls of the gallery.
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A red purse made from beadwork.
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Exhibitions
Current ExhibitionsUpcoming ExhibitionsPast ExhibitionsTouring Exhibitions
Installation view of Jagdeep Raina: Chase, displaying various paintings installed on the walls of the gallery.
Collection
Online CollectionsSculpture ParkResources
A red purse made from beadwork.
Participate
ProgramsProjectsSpecial Events
Group of people sitting in a circle outside. They are sitting on rocks and the grass.
Learn
EducationAGG Digital
Four people talking pictured in front of two drawings.
Support
DonateBecome a MemberVolunteerJoin Our TeamShop

Exhibitions

Installation view of Jagdeep Raina: Chase, displaying various paintings installed on the walls of the gallery.

Collection

A red purse made from beadwork.

Participate

Group of people sitting in a circle outside. They are sitting on rocks and the grass.

Learn

Four people talking pictured in front of two drawings.

Support

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Alegrias Antruejo, Que Manana seras Ceniza (Rejoice, Carnival, For Tomorrow Thou Wilt Be Ashes)
Alegrias Antruejo, Que Manana seras Ceniza (Rejoice, Carnival, For Tomorrow Thou Wilt Be Ashes)
Alegrias Antruejo, Que Manana seras Ceniza (Rejoice, Carnival, For Tomorrow Thou Wilt Be Ashes)
Artist (1746 - 1828)
TitleAlegrias Antruejo, Que Manana seras Ceniza (Rejoice, Carnival, For Tomorrow Thou Wilt Be Ashes)
Date1864
MediumEtching and aquatint
Dimensions9 5/8 x 13 3/4 in. (24.5 x 35 cm)
Credit LinePurchased with funds raised by the Fine Art Printmaking Students for the Department of Fine Art Print Study Collection, 1970 University of Guelph Collection at the Art Gallery of Guelph
Object numberUG1970.227
Collections
  • 1800s and earlier
  • University of Guelph Collection
La Que mal Marida Nunca le Falta Que Diga (She Who is Ill Wed Never Misses A Chance to Say So)
La Que mal Marida Nunca le Falta Que Diga (She Who is Ill Wed Never Misses A Chance to Say So)
Francisco Jose de Goya Y Lucientes
1864
Que locura! (What madness!) (The Disasters of War, Plate. No. 68)
Que locura! (What madness!) (The Disasters of War, Plate. No. 68)
Francisco Jose de Goya Y Lucientes
circa late 19th century
Por que? (Why?) (The Disasters of War, Plate. No. 32)
Por que? (Why?) (The Disasters of War, Plate. No. 32)
Francisco Jose de Goya Y Lucientes
circa late 19th century
Esta no lo es menos
Esta no lo es menos
Francisco Jose de Goya Y Lucientes
Not Dated
De Que Sirve Una Taza? (What is the Use of a Cup?)
De Que Sirve Una Taza? (What is the Use of a Cup?)
Francisco Jose de Goya Y Lucientes
1814
Para Eso Habeis Nacido? (This is What you were Born For?)
Para Eso Habeis Nacido? (This is What you were Born For?)
Francisco Jose de Goya Y Lucientes
1814
Esto Es Peor
Esto Es Peor
Francisco Jose de Goya Y Lucientes
1814
Las Resultas (The Consequences)
Las Resultas (The Consequences)
Francisco Jose de Goya Y Lucientes
1814
Sanos y enfermos (The healthy and the sick) (The Disasters of War, Plate. No. 57)
Sanos y enfermos (The healthy and the sick) (The Disasters of War, Plate. No. 57)
Francisco Jose de Goya Y Lucientes
circa late 19th century
Asi sucedio (This is how it happened) (The Disasters of War, Plate. No. 47)
Asi sucedio (This is how it happened) (The Disasters of War, Plate. No. 47)
Francisco Jose de Goya Y Lucientes
circa late 19th century
Por una navaja (On account of a knife) (The Disasters of War, Plate. No. 34)
Por una navaja (On account of a knife) (The Disasters of War, Plate. No. 34)
Francisco Jose de Goya Y Lucientes
circa late 19th century
Tambien esto (This too) (The Disasters of War, Plate. No. 43)
Tambien esto (This too) (The Disasters of War, Plate. No. 43)
Francisco Jose de Goya Y Lucientes
circa late 19th century
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